Category Archives: 2025

11/365: The Fortnight in September by R.C. Sherriff

The Fortnight in SeptemberThe Fortnight in September
by R.C. Sherriff
Rating: ★★★★½
Publication Date: September 1, 1931
Genre: fiction
Pages: 304
ReRead?: No
Project: 2024 read my hoard, Project 365

The Fortnight in September embodies the kind of mundane normality the men in the dug-out longed for – domestic life at 22 Corunna Road in Dulwich, the train journey via Clapham Junction to the south coast, the two weeks living in lodgings and going to the beach every day. The family’s only regret is leaving their garden where, we can imagine, because it is September the dahlias are at their fiery best: as they flash past in the train they get a glimpse of their back garden, where ‘a shaft of sunlight fell through the side passage and lit up the clump of white asters by the apple tree.’ This was what the First World War soldiers longed for; this, he imagined, was what he was fighting for and would return to (as in fact Sherriff did).

He had had the idea for his novel at Bognor Regis: watching the crowds go by, and wondering what their lives were like at home, he ‘began to feel the itch to take one of those families at random and build up an imaginary story of their annual holiday by the sea...I wanted to write about simple, uncomplicated people doing normal things.’


A near perfect novel, The Fortnight in September is the charming, and deceptively simple, story of the Stevens family and their yearly holiday taken at the seaside in Bognor Regis, Sussex. Mr. Stevens, his wife (Flossie) and their children have been taking their holiday at the Seaview, a boarding house run by Mrs. Huggett, for the previous 20 years. The two older children, Dick and Mary, are actually young adults at this point. They have both left school and started working, Mary at a dressmakers and Dick at a stationer. The youngest child, Ernie, is ten and remains a bit of a cipher through the entire book.

Everyone else gets their moment of focus during the fortnight that they are at the Seaside. The book opens with everyone packing and checking off their leaving chores, and takes us – in detail – through the railway journey (change trains in Clapham, with only 14 minutes to spare), and then to Bognor Regis and the Seaview.

This year, the year described, is particularly bittersweet. The Stevens are a close family, but it is clear that both Dick and Mary are realizing that these family holidays are coming to an end. The Seaview itself has become a bit rundown and Mrs. Huggett herself isn’t doing so well as before. They are fiercely loyal, but even so, if this isn’t the final family holiday at the Seaview, it’s undeniable, even if a bit painful, that this time of their life is grinding slowly to a halt.

As an empty nester, there’s something very universal in The Fortnight in September. My family vacations – in the U.S., we rarely use the word “holiday” for anything other than a specific day like Christmas or Labor Day – were quite different from the one described in the novel, but, nonetheless, the feeling is so similar. The way that a family creates traditions for itself, that are worth repeating simply because that’s what your family has always done. The way that a vacation seems like a whole separate world. When my daughter went away to college, and then my son graduated from high school, one of the most painful things was knowing that the family vacation would never be the same.

Kazuo Ishiguro provides the blurb on the cover of my edition: “Uplifting, life-affirming . . . the beautiful dignity to be found in everyday living has rarely been captured so delicately.”

And, yes, I agree with this to my bones. There is something about a simple family and a simple life that is deeply moving. Mr. and Mrs. Stevens are a very ordinary husband and wife, and they do have yearnings, but, at the same time, they are content with the life that they have built. Proud, even, of what they have accomplished. They have done well.

Mr. Stevens has not achieved everything he would have hoped to achieve as a young man, but he has bought a house (that will be his, outright, in twelve more payments), and he has a wife and he is proud of his children. And Mrs. Stevens, well, she doesn’t even like the seaside, it frightens her, but for two decades she has put her family first and made carefully sure that they never know how she really feels. She has given them this as a gift.

The book ends when the holiday ends, when the Stevens are packed and ready to go back to the station for the journey home. I was so sorry to see it end – I would love to have read more about their lives. What happened to Mary? Did Dick find a better job for himself, as he wanted? How did Mr. Stevens’s return to work go? Had he forgotten the invoice that gave him anxiety during the holiday? Did they ever return to the Seaview?

This book may be the perfect antidote to our current culture of individualism and the obsession with chasing wealth. I’m so glad I read it. I will read it again.

10/365: The Way Some People Die by Ross MacDonald

The Way Some People DieThe Way Some People Die
by Ross MacDonald
Rating: ★★★★
Series: Lew Archer #3
Publication Date: June 1, 1951
Genre: noir
Pages: 245
ReRead?: No
Project: Project 365

In a rundown house in Santa Monica, Mrs. Samuel Lawrence presses fifty crumpled bills into Lew Archer's hand and asks him to find her wandering daughter, Galatea. Described as ‘crazy for men’ and without discrimination, she was last seen driving off with small-time gangster Joe Tarantine, a hophead hood with a rep for violence. Archer traces the hidden trail from San Francisco slum alleys to the luxury of Palm Springs, traveling through an urban wilderness of drugs and viciousness. As the bodies begin to pile up, he finds that even angel faces can mask the blackest of hearts.Filled with dope, delinquents and murder, this is classic Macdonald and one of his very best in the Lew Archer series.


This is the third or fourth in Ross MacDonald’s Lew Archer series that I’ve read. I don’t think that MacDonald was quite so accomplished a prose stylist as Chandler, but his plots are better and his characters are just as good.

There is just something about Hollywood in the 1950’s that feels so perfect for crime fiction. It’s in the blood of mid-century California; I can’t think of the golden age of Hollywood without also thinking of the squalor and grit of noir.

Earlier this year I went on a book buying binge and snagged a number of the Library of America crime collections. The Ross MacDonald collection was the last one I bought, and this is the first entry of the first book in the set. Whoever edited the collection didn’t start at the beginning and go through to the end – there are just too many Lew Archer’s for the standard LOA two to three book set. Mine has 11 novels. The first book selects 4 from the 1950’s, the second has 3 from the early 1960’s, and the third collects 4 “later” novels, whatever that means. There are a total of 18 Lew Archers, so my collection is missing 7 of them.

The Way Some People Die is a pretty standard hard boiled private eye novel, with all of the accoutrements of noir: femme fatales, crime bosses, heroin addicts, double-crossers and inept police officers. The plot is complicated but ultimately makes sense and is easy to follow – something that is often not true of Chandler, who is more interested in the way he tells the story than in the story itself (this is not a criticism. I love the way that Chandler writes). Lew Archer is a quintessential noir hero: life has not been kind to him; he’s cynical, and more than a bit frayed and rumpled, but his moral compass, while a bit askew, points true, if not true north.

Noir is so stylish. This one has the style, but also the plot to go with it.

9/365: Thornhedge by T. Kingfisher

ThornhedgeThornhedge
by T. Kingfisher
Rating: ★★★★
Publication Date: August 15, 2023
Genre: fantasy
Pages: 115
ReRead?: No

There’s a princess trapped in a tower. This isn’t her story.

Meet Toadling. On the day of her birth, she was stolen from her family by the fairies, but she grew up safe and loved in the warm waters of faerieland. Once an adult though, the fae ask a favor of Toadling: return to the human world and offer a blessing of protection to a newborn child. Simple, right?

But nothing with fairies is ever simple.

Centuries later, a knight approaches a towering wall of brambles, where the thorns are as thick as your arm and as sharp as swords. He's heard there's a curse here that needs breaking, but it's a curse Toadling will do anything to uphold…


This is the 10th day in a row that I’ve posted here. You may recall that on August 31, I mentioned that I was dialing back my ongoing projects and that I was going to read by whim for a while. There’s a bit more to it than that, but I wanted to wait until I had gotten into a groove before posting on it further. I’m going to start by talking a book that is not Thornhedge.

A few years ago, I read this book – Tolstoy and the Purple Chair by Nina Sankovich. I read a lot of books in this small sub-genre that I generally refer to as “books about books.” They usually rely upon some conceit or another, and often that conceit is related to a yearly project.

In Tolstoy and the Purple Chair, Nina Sankovich reads a book a day for a year. All different genres of books, without really anything to tie them together beyond the fact that she was able to read them in a single day. So, obviously, no War and Peace, no doorstoppers, nothing that exceeds around 250 pages.

I am retired and I read at a pretty good clip – about 100 pages an hour. This, I thought to myself, was something that I could do. Maybe. But did I want to? I considered it for several days and finally concluded that yeah, I think that this could be fun. So, as of September 1, I started.

The parameters are minimal: pick a book, read it, and write a post. I put out a call to a bunch of my book friends for novellas and other books that are under 300 pages and started requesting library books. I pulled a bunch of unread, shorter, books off my library shelves and put them on my book cart. I reshelved the long classics that I had been planning on reading. For the last 10 days, my morning has involved choosing a book off the book cart based on whatever it is that I feel like reading.

I bought myself a new calendar, so I have a place to track the titles.

The only other element of this is that I am trying to read mostly print books, and weaning myself off of the dreaded doomscroll. I’ve also granted that, from time to time, my life will not have time for 200 or so pages, and, on those days, a short story will suffice. I’m going to try not to repeat authors and series, but that’s not a hard and fast rule.

So far, I am enjoying myself. If it starts becoming overly burdensome – more of an albatross than a challenge – well, I reserve the right to rethink. But reading something from start to finish in what is often a single sitting has really been satisfying so far. It’s easy to get immersed in a book for an hour or two. So far, it’s been fun to sit down at the computer and bang out a post each evening.

Also, as it turns out, I can continue to read other, longer books, because as I said, I am retired and I read at a pretty good clip.

So, now to Thornhedge. This is a retelling of the Sleeping Beauty fairy tale, with the roles of villain and victim reversed. I’ve checked out books by T. Kingfisher before (Nettle & Bone, in particular) but I’ve never actually gotten to them. I really liked this novella. It’s sweet, but with an edge. Disney is unlikely to option it for the full Disney treatment, although I think Toadling would actually be sort of great as a Disney princess.

Fall, to me, feels like the time to read fairy tales. And from that perspective, this is a perfect way to spend an hour.

8/365: My House in Umbria by William Trevor

My House in UmbriaMy House in Umbria
by William Trevor
Rating: ★★★
Publication Date: January 1, 1991
Genre: fiction
Pages: 155
ReRead?: No

Mrs. Emily Delahunty-a mysterious and not entirely trustworthy former madam-quietly runs a pensione in the Italian countryside and writes romance novels while she muses on her checkered past. Then one day her world is changed forever as the train she is riding in is blown up by terrorists. Taken to a local hospital to recuperate, she befriends the other survivors-an elderly English general, an American child, and a German boy-and takes them all to convalesce at her villa, with unforeseen results.


I have a truly huge omnibus of William Trevor’s short stories that I have barely cracked. I’ve read just enough to know that he reminds me a bit of a male, Irish analogue to Alice Munro’s Canadian female writer.  If I were just rating the quality of writing, this would be rated higher than 3 stars, but the story was so strange and unsettling that I didn’t particularly enjoy it. This is an odd little novella.

The cover and the title lulled me into a false sense that it would be something like Elizabeth von Arnim’s The Enchanted April – a bit of found family, a healing interlude in the Italian countryside.

Ummmm, nope. Not at all. It starts out fairly straightforwardly, with an introduction to Emily Delahunty as she boards an Italian train. Emily is an observer of human nature – she has written and published several romance novels and we see her taking note, and filling in backstories, for the other people in her train car. However, once the train car blows up and she awakens in a hospital bed, things, like the train, derail a bit.

Ultimately, Emily invites the only three other survivors of the attack to convalesce in her house – an older Colonel, a young German amputee and an American child named Aimee, who is about ten years old. Aimee is left an orphan, with her sole surviving relative an uncle from America named Mr. Riversmith.

All three of the adults become very attached to Aimee, who is going to be returning to America with Riversmith once he arrives and she is cleared for travel. Once Riversmith arrives, things really get weird and Emily’s grip on reality grows increasingly tenuous. It’s more and more difficult to distinguish between the stories she tells herself and the reality, and her behavior with Riversmith is extremely unsettling, culminating in a disturbing interaction in the middle of the night which no doubt left Riversmith thinking that he was staying in the house of a crazy person.

The writing here is beautiful – clean and clear and evocative, and the character studies are well-drawn. I wavered between reading this one and The Story of Lucy Gault, and I’m sort of wishing I had read it instead. I’ll get to eventually, though, along with the rest of those short stories.

6/365: The Figure in the Carpet by Henry James

The Figure in the CarpetThe Figure in the Carpet
by Henry James
Rating: ★★★
Publication Date: January 1, 1896
Genre: short stories
Pages: 56
ReRead?: No

'Did she know and if she knew would she speak?'

The story of an unsolved literary mystery that explores what James referred to as "troubled artistic consciousness"

Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.


Sometimes, Henry James and I don’t really get on.

In 2015, in honor of the 80th birthday of Penguin, the publisher issued a box set of (the first) 80 books in the Little Black Classics series. I saw an advertisement for the set and was immediately consumed with the overwhelming desire to own it.

I bought it, in April 2015, it was delivered and the 80 books sat on my shelf, largely untouched, for the succeeding decade. I’ve read maybe 2 of them? I definitely read The Old Nurse’s Tale by Elizabeth Gaskell and The Wife of Bath by Geoffrey Chaucer. That’s it, I think.

I was looking for something short to read tonight, before I retired to bed, after a long day of tailgating and college football and my eye fell upon the pile of tiny, black and white books. The Figure in the Carpet by Henry James is #49.

As I said at the beginning of this post, sometimes Henry James and I don’t really get on. This both was, and was not, one of those times.

The plot of the story is simple: our unnamed narrator writes a review of the newest book by celebrated author Vereker. The review is brought to Vereker’s attention and Vereker dismisses it as “the usual twaddle” within the hearing of the narrator. Upon learning that he has insulted the narrator, Vereker apologizes, and shares with our narrator that no one has ever discovered the secret that ties all of his books together – the overarching theme. The figure, as he puts it, in the carpet.

Like a Swiftie in pursuit of the meaning of a hinted at Easter egg, our unnamed narrator is consumed with trying to figure out the key and discern the figure. He shares his quest with a friend, Corvick, who becomes equally enamored of the project, along with Corvick’s fiancee, Gwendolen. Ultimately, the narrator gives it all up as a bad bet, although he remains mildly obsessed.

Eventually, Corvick wires the narrator and Gwendolen that he has figured it out. “Hurrah. Immense.” Corvick promises to reveal the secret after he has seen Vereker and confirmed the key, and married Gwendolen. Corvick dies on his honeymoon without divulging the secret. Vereker dies without divulging the secret. Gwendolen dies. Without divulging the secret.

The narrator is an old man shaking his fist at clouds. Curse you, Vereker.

As far as it goes, this is a quick little read, and isn’t quite so impenetrable as Henry James often seems. But it is a story without a resolution. As a reader, I am left wondering not what was the figure in the carpet but was there ever, actually, a figure in the carpet. Or was it all nonsense and hoohah.

I’m inclined to think the latter.

4/365: The Child and the River by Henri Bosco

The Child and the RiverThe Child and the River
by Henri Bosco
Translated from: French
Rating: ★★★★½
Publication Date: January 1, 1945
Genre: fiction
Pages: 96
ReRead?: No

A new translation of an evocative, Huckleberry Finn –esque French bestseller about a young farmboy, the river where he is forbidden to play, and the adventures that ensue when he disobeys his family’s wishes.

The Child and the River tells a simple but haunting tale. Pascalet, a boy growing up on a farm in the south of France, is permitted by his parents to play wherever he likes—only never by the river. Prohibition turns into Pascalet dreams of nothing so much as heading down to the river, and one day, with his parents away, he does. Wandering along the bank, intoxicated with newfound freedom, he falls asleep in a rowboat and wakes to find himself caught in rapids and run aground on an island where a band of Gypsies has pitched camp together with their trained bear. Hiding in the underbrush, Pascalet observes that the group includes a boy his age, who, after receiving a whipping, has been left tied to a post. This is Gatzo, and as soon as night falls, Pascalet sets him loose. The boys escape in a boat and spend an idyllic week on the river. But then the mysterious “puppeteer of souls” arrives, bringing their adventure to an end, and Pascalet must go back home to face the music. Has he seen the last of his new friend?


Clocking in at a slender 96 pages, this novella by French writer Henri Bosco punches above its weight class. It’s the kind of book that you might read twice, or even three times, in a row, revelling in the storytelling and the language each time.

Published in 1945, on the heels of the end of WWII, it is nonetheless timeless, without a hint of the politics or hardship of that period, told from the perspective of a child. The titular child, Pascalet, is a boy of maybe 10 to 12 years old – I don’t recall his age ever being specifically identified. The story concerns an interlude in his life of several days, after he has defied his father’s order to never go near the river.

Everyone who has raised a child, or been a child, should know that forbidding a child from doing something very nearly ensures that they will do exactly that thing as soon as they think they can get away with it. Pascalet’s parents go out of town, leaving him with Tante Martine, and he is off to the river, packing a napsack and crossing fields to get there.

From there, Pascalet falls into a slipstream and finds himself on an adventure with another boy, Gatzo, whom he has rescued from a band of gypsies who come complete with a tame bear. Gatzo and Pascalet steal a stolen boat from the gypsies and live on the river for a time.

I didn’t read this in the original French, but the language supplied by the translator is beautiful because Pascalet is enchanted by the river. Sunrises, sunsets, fish, reeds and waterbirds all get their descriptions as the river days of Pascalet and Gatzo slip by, out of time and place. It is haunting and lovely. An idyll.

We know that the narrator is an old man now, so we also know that Pascalet returns to his normal life by the end of the book. Gatzo and Pascalet step back into the real world by going to see a puppeteer performance in a nearby village. Pascalet is recovered and Gatzo disappears, although not forever.

The Child and the River feels ineffably French. It can be read in a single, magical hour.

2/365: One Fine Day by Mollie Panter-Downes

One Fine DayOne Fine Day
by Mollie Panter-Downes
Rating: ★★★★★
Publication Date: October 1, 1947
Genre: fiction
Pages: 192
ReRead?: No

The lark rose in the brilliant air, higher, higher on its spun-glass spiral of song, knowing nothing of peace or war, accepting joyously the bounty of another day.

A hot summer's day in 1946. The village of Wealding is no longer troubled by distant sirens, yet the rusting coils of barbed wire are a reminder that something, some quality of life, has evaporated. Together again after years of separation, Laura and Stephen Marshall must find their way in an altered, shabbier world. Their rambling garden refuses to be tamed, the house seems perceptibly to crumble. Hour by hour, as the glorious weather holds, the Marshalls and their daughter Victoria are preoccupied by the small pleasures and irritations of everyday life. But alone on a hillside, as evening falls, Laura comes to see how much could have been lost - and how much the future might still hold.

Exquisitely written and achingly poignant, One Fine Day is an unforgettable portrait of a world, and a marriage, changed forever by war - perfect for fans of Small Pleasures and A Month in the Country.


One Fine Day has been on my TBR since I read the author’s collection of stories, Good Evening, Mrs. Craven, in November, 2021. I have a definite thing for neglected mid-century British women writers, the sort who are published by Virago and Persephone, and the Furrowed Middlebrow imprint of DSP.

I think that this is an almost perfect exemplar of that type of novel. Taking more than few cues from Virginia Woolf’s Mrs. Dalloway, published a quarter century earlier, One Fine Day takes place over a single summer day in the post-WWII village of Wealding. It is written primarily from the perspective of Laura Marshall, but does include brief interludes told from the perspective of her husband, Stephen, and their daughter, Victoria.

There is, essentially, no plot here. Just a single lovely summer day – one fine day – in a British village. In that single day, though, lives a world. We meet many of the villagers; everyone from Laura’s char woman, Mrs. Prout, to the local gentry who have transferred their estate to the “national trussed,” because they no longer have the finances or the staff to maintain it. The young people, who have eschewed service and moved to the cities to work in factories, are mentioned, and the difficulties of the families of Laura’s class in finding gardeners and cooks and inside staff are acknowledged.

Laura moves through her day and we are privy to her experiences, her thoughts, her past and her present. One Fine Day is a convincing depiction of a society that is on the downside of massive cultural changes, and how the individuals are processing the change and moving forward. I really loved this book.

1/365: The Cat Who Saved Books by Susuke Natsukawa

The Cat Who Saved BooksThe Cat Who Saved Books
by Sosuke Natsukawa
Translated from: Japanese
Rating: ★★★★
Series: The Cat Who #1
Publication Date: February 5, 2017
Genre: magical realism
Pages: 198
ReRead?: No

The Cat Who Saved Books is a heart-warming story about finding courage, caring for others – and the tremendous power of books.

Grandpa used to say it all the time: 'books have tremendous power'. But what is that power really?

Natsuki Books was a tiny second-hand bookshop on the edge of town. Inside, towering shelves reached the ceiling, every one crammed full of wonderful books. Rintaro Natsuki loved this space that his grandfather had created. He spent many happy hours there, reading whatever he liked. It was the perfect refuge for a boy who tended to be something of a recluse.

After the death of his grandfather, Rintaro is devastated and alone. It seems he will have to close the shop. Then, a talking tabby cat called Tiger appears and asks Rintaro for help. The cat needs a book lover to join him on a mission. This odd couple will go on three magical adventures to save books from people who have imprisoned, mistreated and betrayed them. Finally, there is one last rescue that Rintaro must attempt alone . . .

Sosuke Natsukawa's international bestseller, translated from Japanese by Louise Heal Kawai, is a story for those for whom books are so much more than words on paper.


Translated from the Japanese, this felt almost like a parable or a fairy tale. I also learned a new word, hikikomoro, which refers to (per wikipedia) “are reclusive adolescents or adults who withdraw from social life, often seeking extreme degrees of isolation and confinement.”

Overall, I found the book quite charming, and I enjoyed the main character, Rintaro, and his two friends who are trying mightily to pull him out of his hikikomori lifestyle and back into a community that values him more than he knows. The talking cat, Tiger the Tabby, was fun, although he didn’t have as much of a presence as I would have liked.

I am a bit puzzled by the fact that all of the books mentioned were western classics – a lot of British lit (Jane Austen, Samuel Johnson), American (John Steinbeck) and Russian (Dostoevsky). I don’t think that there was a single Japanese title identified. I am sure that Japan has it’s own supply of beloved classic literature, so I found this curious.

The bookshop at the heart of the story, Natsuki Books, Rintaro’s inheritance after the death of his grandfather, was delightful. The language used was very simplicitic, and I don’t know if this is a result of the fact that the book was translated from the Japanese, or if it was a stylistic choice on the part of the author, but either way, the book would be an easy read for a young adult reader, or for someone learning English as a second language.

Monday at the Library: 9.1.25

Since I’ve restarted using my library, I thought that I would also restart my Monday at the Library posts. So, here we go:

Print books:

  1. Frankie by Graham Norton: this was a Lucky Day random grab;
  2. Crush by Ada Calhoun: this was also a random grab; I know nothing about this book;
  3. One Fine Day by Mollie Panter-Downs: I need to get to this one before it’s due date of 9/22 because I’ve already renewed it twice and I either need to read it or return it;
  4. Crimson Lake by Candice Fox: ready to return when I picked up my holds. It’s a solid mystery set in Australia and I enjoyed it;
  5. A Rip Through Time by Kelley Amstrong: also ready to return. Time travel to 1850’s Edinburgh. I thought it was a lot of fun and already have the second book in the series on hold;
  6. Down Among the Sticks and Bones by Seanan McGuire: this one is also ready to go back and I’ve requested Beneath the Sugar Sky, which is book 3 in the series;
  7. The Cat Who Saved Books by Sosuke Natsukawa: this one is on deck because it looks so cute;
  8. We’ll Prescribe You a Cat by Ishida Syou: the other Japanese cat book that also looks adorable;
  9. My Death by Lisa Tuttle: from the NYRB classics series; not sure when I will get to this one, but it was intriguing. And short;
  10. The Sunday Philosophy Club by Alexander McCall Smith: I’ve read a number of his Number One Ladies Detective Agency books and love them, but I’ve never read anything from this series;
  11. Kindred by Octavia Butler: I cannot count the number of years that this has been on my TBR. I plan to get to it soon;
  12. My House in Umbria by William Trevor: I’ve also been meaning to read some William Trevor, so I checked out this one and
  13. The Story of Lucy Gault by William Trevor: we’ll see which one I get to, if I get to either;
  14. The Wren, the Wren by Anne Enright: another book by an Irish writer;
  15. The Teller of Small Fortunes by Julie Leong: random grab off the shelves because I liked the cover;
  16. Skeletons in the Closet by Jean-Patrick Manchette: another NYRB classic;
  17. Local Girls by Alice Hoffman: I am a big fan of Alice Hoffman, reaching all the way back to Practical Magic and Turtle Moon;

Print holds awaiting pickup:

  1. Tropic Moon by Georges Simenon: another NYRB classic & one of Simenon’s non-Maigret books;
  2. The Child and the River by Henri Bosco: another NYRB classic that has been on my list for a while;
  3. The Fire Engine that Disappeared by Maj Sowall and Per Wahloo: book 5 in the Martin Beck series; filling in a gap for me;
  4. Beneath the Sugar Sky by Seanan McGuire: book 3 in the Wayward Children series;
  5. The God of the Woods by Liz Moore: this book has been everywhere since last summer. I had a digital hold for two months that was still 12 weeks away, so I decided to go with print instead;
  6. When the Tides Held the Moon by Venessa Kelley: I was intrigued by the cover and the plot summary.

My digital check outs:

  1. The End of Everything by Megan Abbott: I have only read one other book by Megan Abbott, but I thought she did a good job with characters that I loathed;
  2. A Conspiracy in Belgravia by Sherry Thomas: I’ve read the first in this series and liked it; not sure if I will actually get to this one;
  3. Moon Called by Patricia Briggs: I have this in audiobook and it’s a reread; I’ve been having trouble sleeping, so I am going through my audible library at a financially unsustainable speed;
  4. The Fox’s Curse by Sarah Painter: I’m still not sure about this series, but they are quick reads;
  5. The Honourable Schoolboy by John LeCarre: I’m working my way through George Smiley;
  6. European Travel for the Monstrous Gentlewoman by Theodora Goss: I’m rereading the first book in this series because I remembered very little about it and I’m not sure I will be going on. This may be a catch and release;
  7. Redemption Point by Candice Fox: this is the second in the Crimson Lake series. I’ll definitely get to this one before my time expires;
  8. Nightmare in Pink by John MacDonald: I’ve never read anything by MacDonald but he was prolific, so I wanted to give him a try;
  9. The Ward Witch by Sarah Painter: this is the first book in a different series that I think I might like better;
  10. Listen for the Lie by Amy Tintera: I tend not to love modern thrillers, so I’m not sure I’ll actually read this one, but the premise is interesting;
  11. The Strange Case of the Alchemist’s Daughter by Theodora Goss: currently reading this one; not loving it. If I don’t connect with it in another 30 pages or so, it’s going back, along with book 2 in the series;
  12. The Killing Bay by Chris Ould: the second in a series set in the Faroe Islands. I love mysteries set in bleak places, so I’ll get to it eventually, just maybe not this round;
  13. An Academy for Liars by Alexis Henderson: I only have a few days left on this checkout. Dark academia has recently taken the place of steampunk as the type of fiction I want to love more than I actually love. I’ll probably run out of time;
  14. The Mapmaker’s Apprentice by C.J. Archer: not sure I’ll get to this one;
  15. Dreaming of the Bones by Deborah Crombie: book 5 in the Duncan Kincaid/Gemma James series and probably my next digital read.

The Cellars of the Majestic by Georges Simenon

The Cellars of the MajesticThe Cellars of the Majestic
by Georges Simenon
Translated from: French
Rating: ★★★★
Series: Inspector Maigret #20
Publication Date: January 1, 1942
Genre: mystery: golden age (1920-1949)
Pages: 170
ReRead?: No

'Try to imagine a guest, a wealthy woman, staying at the Majestic with her husband, her son, a nurse and a governess . . . In a suite that costs more than a thousand francs a day . . . At six in the morning, she's strangled, not in her room, but in the basement locker room'

Below stairs at a glamorous hotel on the Champs-Élysées, the workers' lives are worlds away from the luxury enjoyed by the wealthy guests. When their worlds meet, Maigret discovers a tragic story of ambition, blackmail and unrequited love.


I always enjoy dropping into the world of Inspector Maigret. There are 75 entries in the series, the first published in 1930, the final published in 1972. Each book is novella length, usually under 200 pages, and briefly follows an investigation by Detective Chief Inspector Maigret of the French national police, who resides in Paris with his wife, Madame Maigret. There is no real reason to read the series in any particular order, since each book contains an independent story.

All of the Maigret stories are good – it’s just a question of what takes the reader’s fancy. Sometimes the investigation is centered in Paris, where Maigret lives. Sometimes, because he is part of the national police, he is dispatched to other areas to investigate a local crime with either non-local elements or that seems like it may involve international actors. Sometimes he takes a vacation and invariably ends up in the middle of a murder investigation.

Maigret is a cerebral detective. He is capable of defending himself, but, for the most part, he thinks his way to the solution. He is a preternaturally good judge of character and invariably sees the secrets that the characters involved in the crime would prefer remain hidden.

I thought this was quite a good entry into the series. Maigret digs out the truth, and is able to liberate a wrongly accused man and hold the real perpetrator accountable.