Category Archives: Manning, Olivia

Fortunes of War: The Levant Trilogy by Olivia Manning

Fortunes of War: The Levant TrilogyFortunes of War: The Levant Trilogy
by Olivia Manning
Rating: ★★★★★
Series: Fortunes of War #2
Publication Date: January 1, 1981
Genre: fiction
Pages: 548
ReRead?: No
Project: a century of women

It’s the spring of 1941 and the German army’s eastward march appears unstoppable. In the Egyptian desert, the young officer Simon Boulderstone, twenty years old and wet behind the ears, waits in dreadful anticipation of his first experience of combat. The people of Cairo are waiting, too. In crowded apartments, refugees from Europe wait; in palm-shaded mansions, Anglo-Egyptians wait. At night they are joined in the city’s bars and cabarets by soldiers on leave, looking for a last dance before going off to the front lines.

Into this mix enter Guy and Harriet Pringle, whose story began in Olivia Manning’s magisterial Balkan Trilogy. They have successfully escaped Nazi-occupied Greece but are dogged by uncertainties about their marriage. And, as Simon discovers that the realities of war are both more prosaic and more terrible than he had imagined, Harriet is forced to confront her precarious health and her place beside her husband.


As is often the case, while I meant to read this second omnibus on the immediate heels of finishing the first, I didn’t. I needed a bit of a break from Harriet and, especially, Guy Pringle. It took me several months to pull this chunkster off my NYRB shelf.

I am so glad I did. When I last left Harriet and Guy, they had managed to publicly shame a quartet (or so) of deeply self-centered jerks into allowing a much larger group of refugees to board their ships for Egypt. This set of three books begins with Harriet and Guy in Cairo. Guy is still bound to employment with The Institute, but there is no one there to oversee him.

The three books in this omnibus are The Danger Tree, published in 1977, The Battle Lost and Won, published in 1978, and The Sum of Things, published in 1981. Harriet and her marriage remain a narrative focus, but Manning adds a second POV character, Simon Boulderstone, a young English soldier who arrives in Egypt at the beginning of The Danger Tree. I really loved his contribution to the story, which brought verisimilitude as well as an emotional anchor to the trilogy.

The title of the first book is a reference to the mango tree which grows outside of the room where Harriet and Guy are living in Cairo. I struggled with Guy in The Balkan Trilogy. That did not change throughout these three books. I know that the entire six book cycle is based, at least in part, on the author’s experience as a young married woman during the war. How she did not punch her husband in the face will remain a mystery for all eternity.

Because Guy is worse, here. He is self-centered and pompous, barely giving his wife a thought from time to time. He has a grotesquely overblown sense of his own importance. When Harriet tries to make him understand that he shouldn’t treat her like shit, his response is basically that she is “a part of him” and he can treat himself like shit if he wants. He constantly puts her last. She should have shoved him out of a window and gone home. There were a few times that I had to rage quit and walk away.

But, even for all of this, I loved this book. It was a journey that I won’t soon forget, and I am already planning to reread it in a few years or so.

I want to close this with the Coda that Manning put at the end of the final book:

Two more years were to pass before the war ended. Then, at last, peace, precarious peace, came down upon the world and the survivors could go home. Like the stray figures left on the stage at the end of a great tragedy, they had now to tidy up the ruins of war and in their hearts bury the noble dead.

I wonder what happened to Simon and Harriet and Guy. Did they return to England and find work in peacetime? Did the Pringle’s marriage survive peace as it survived war? Did Guy ever pull his head out of his ass and figure out how to be a decent human being?

These are questions that will never be answered.

Fortunes of War: The Balkan Trilogy by Olivia Manning

Fortunes of War: The Balkan TrilogyFortunes of War: The Balkan Trilogy
by Olivia Manning
Rating: ★★★★★
Series: Fortunes of War #1
Publication Date: January 1, 1960
Genre: fiction, historical fiction
Pages: 924
ReRead?: No
Project: a century of women

The Balkan Trilogy is the story of a marriage and of a war, a vast, teeming, and complex masterpiece in which Olivia Manning brings the uncertainty and adventure of civilian existence under political and military siege to vibrant life. Manning’s focus is not the battlefield but the café and kitchen, the bedroom and street, the fabric of the everyday world that has been irrevocably changed by war, yet remains unchanged.

At the heart of the trilogy are newlyweds Guy and Harriet Pringle, who arrive in Bucharest—the so-called Paris of the East—in the fall of 1939, just weeks after the German invasion of Poland. Guy, an Englishman teaching at the university, is as wantonly gregarious as his wife is introverted, and Harriet is shocked to discover that she must share her adored husband with a wide circle of friends and acquaintances. Other surprises follow: Romania joins the Axis, and before long German soldiers overrun the capital. The Pringles flee south to Greece, part of a group of refugees made up of White Russians, journalists, con artists, and dignitaries. In Athens, however, the couple will face a new challenge of their own, as great in its way as the still-expanding theater of war.


This was a chunkster of a book – an omnibus of the first three books of Olivia Manning’s cycle of WWII books based upon her own war experiences: The Great Fortune, published in 1960, The Spoilt City, published in 1962, and Friends and Heroes, published in 1965. I’m assigning it to the year 1960 in my A Century of Women project, but it was a massive and impressive undertaking. The remaining six books, which are collected as Fortunes of War: The Levant Trilogy, also published by NYRB, consists of: The Danger Tree, published in 1977, The Battle Lost and Won, published in 1978 and The Sum of Things, published 1981. I’m going to assign The Levant Trilogy, once I finish it, to year 1981.

I have a pronounced affection for books set on huge stages but involving ordinary people – such as Doctor Zhivago or the series I just finished, the Raj Quartet by Paul Scott. Reading of sweeping events through the perspective of completely unimportant characters is, for me, the most enjoyable way for me to dig into history. WWII literature is having a moment – it seems like every other new release I see is a piece of historical fiction about WWII, often with a woman as the central character, and usually with a gorgeous cover but a plot description that leaves me cold.

Initially, I was on the fence about this group of books – I hesitate to call them a “series” because what they really seem to be is a single sustained narrative that has been broken, for convenience, into multiple books. Each book does have a narrative structure, and the last two books end with a flight or evacuation. I think that the first book, for me, was the most difficult because I hadn’t yet become engaged. Over the course of the three books, that changed completely. By the end of the third book, Guy and Harriet are in desperate flight from Athens, barely ahead of the Germans (apparently) and I was reading as fast as I could, even knowing that (obviously, given that there are three more books) they survived.

There are elements of this story that I simply do not understand. I do not understand why England is sending English teachers to war torn countries and then leaving them there. I do not understand the point of people putting on lectures about literature and philosophy while the citizens of Greece are literally starving. I do not understand why so many able-bodied young men (and women, for that matter) were, apparently, paid to engage in what certainly appears to be, in retrospect, self-indulgent colonial nonsense rather than useful work to support the war effort, even if they weren’t going to be fighting on the front lines.

I especially loved the last book. Harriet and Guy are absurdly young, and the events through which they are living are immense and sweeping. Their marriage is struggling under the weight of their immaturity and the extraordinariness of their war experience. War is also clarifying the characters of the various other  individuals – the brave are demonstrating even greater bravery, and the weak and venal, well let’s just say that they have utterly surpassed even the least charitable expectations that I had of them. Not everyone behaves heroically during times of great danger, and those who are entitled and self-centered and craven don’t even bother to hide those qualities when their comfort is on the line.

I had enough foresight to pick up The Levant Trilogy as part of a recent NYRB purchase – it’s sitting on my bookshelf at home, waiting for me to crack it open this evening after work.