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This is an intimidatingly long book, translated from Russian. Like much great Russian literature – Solzhenitsyn, Pasternak – it was suppressed by the Soviet authorities as subversive during the life of the author, a Russian Jew.
The title was chosen to echo Tolstoy’s opus, War and Peace, and the author’s self-confidence is not misplaced here. Life and Fate is a sprawling epic, that has many characters and plotlines – so many that I spent a lot of the book flipping to the character/setting list at the back of the book to orient myself.
It is extremely critical of Stalin, which explains why it would have been suppressed. It’s equally critical of the Nazis, and addresses the holocaust with an unsparing eye. There is a short set piece of a couple of chapters that directly describes the mechanics of the death chambers and looting of the bodies by German workers, through characters, including a child, who walk to their murders. Reading it is a harrowing experience.
I checked it out of the library, but I think I will put it on my list of books to purchase because I want to read it again, now that I am firmly oriented within the characters, locations and plotlines. I feel that I barely scratched the surface with this reading. Grossman has two other books in this loose trilogy: The People Immortal, Stalingrad, and Life and Fate. Everything that I’ve read so far suggests that Life and Fate is the masterpiece of the three, but all of them are available in translation from NYRB classics, so I plan to tackle them in order in 2025.
Life and Fate