Category Archives: Montgomery, Lucy Maud

The Weekly Reader, Vol. 2026, Issue 4

I’ve developed a new practice, where I open this post right after the prior issue is published so I can add to it throughout the week. It makes it much easier to schedule posting.

I can’t remember a time when I haven’t been reading Michael Connelly. He’s been an autobuy author for me for years. I even buy the Lincoln Lawyer mysteries, which I don’t really like (so much so, that sometimes I don’t even read them). I frequently re-listen to the audiobooks, especially the Ballard & Bosch books that are the more recent vintage, and the older Bosch installments. The mid-career Bosch books are my least favorite of the bunch.

But, now, Bosch is just an old man, and is unlikely to be front any more books. Last year, Connelly introduced a new character, Detective Stilwell, who works for the LA County Sheriff’s Office, and who has been exiled to a very undesirable posting on Catalina Island. Ironwood is the second mystery featuring Stilwell, and it is already merging with the Ballard series, because (I was pleased to see) Renee Ballard plays a big role in this one. Even Harry Bosch makes a cameo.

I liked this one better than the first one, Nightshade, probably because of the Ballard connection. And there is definitely something rotten in the LASD, that is about to be revealed. Stay tuned for book 3.

Welp, this one was a bust. I probably should have DNF’d it, because I didn’t really like it, but I needed to see how it would end, which is why I gave it 2 stars on GR instead of 1.

I checked it out of the KU. The audiobook is also available from the KU, so I was able to do my favorite tandem read, where I pick up the audiobook from where I left off reading when I have to do chores. I was hoping for something like the Renee Ballard books by Michael Connelly, or the very fun and action packed Eve Ronin books by Lee Goldberg. That seemed to be what Greene was shooting for but, frankly, I felt that this book fell short by quite a bit.

On the pro side, it was readable, the writing was fine and I liked the main character, Cassidy. On the con side was basically everything else: the overstuffed plot; the simplistic, poorly developed and all together one-dimensional characterizations of everyone but Cassidy, and the lack of attention to detail. I’m not convinced that the author has ever spoken to an actual police officer in her entire life, and it showed.

The primary plot for which the book was named (i.e., the Hollywood Hit Men) was solved in about the first 50% of the book. This was a mistake. The two remaining major side plots: Cassidy’s decompensating, newly retired father and the investigation of an evil, corrupt police officer being protected by a politician were neither interesting nor particularly well done. There were a few more minor side plots that aren’t worth mentioning, because they got little attention and serve only to distract.

I think that the author has it in her to write a pretty good thriller, but since I really didn’t enjoy this book, I won’t be reading more books in this series.

Although Pym began this book in 1939, it was not published until after her death in 1985, which makes it a bit unique amongst Pyms. At this point, I’ve read several of Pym’s novels: Quartet in Autumn, Excellent Women, Jane and Prudence, Some Tame Gazelle and Less Than Angels. I’ve enjoyed them all, although not all quite as much as some. Excellent Women remains my favorite.

I really enjoyed this one! It is quite funny, and had some of my favorite characters. I loved Miss Morrow, who defies expectations, as many of Pym’s women do, actually, and has a delightful inner monologue. The necessary curate, Mr. Latimer, is one of the more personable of Pym’s men. And the May-December “romance” between student Barbara Bird and her professor Mr. Cleveland, in addition to being wildly inappropriate, is also almost unbearably awkward and I am embarassed on his behalf.

The first book from my summer theme! I actually started this a little bit early, but I don’t care. I’m counting it.

I’ve read the two earlier Oxford Time Travel books: To Say Nothing of the Dog and Doomsday Book. I loved both of them, but Doomsday Book has a bit of an edge in my recollection.

This one took a bit for me to get into, but once I was in, I was in. There is a lot of detail about WWII and the London Blitz, and Willis does a great job making me feel the immediacy of the danger. Once I got past the first 30% or so, Oxford itself has disappeared from the narrative, the drops aren’t opening, and, like the characters stuck in the past, I have no idea what is going on in the present.

As I understand, Blackout and All Clear are basically one long book broken into two installments. I already checked out book 2 and will start it after I finish my work day. I need to know what happens next!

Currently Reading:

  • American Prometheus: the Triumph and Tragedy of J. RobertOppenheimer by Kai Bird: I am definitely on the back stretch of this one, and I think (fingers crossed) I will finish it next week.
  • Anne’s House of Dreams by L.M. Montgomery: I should squeak under the line to finish in May.
  • All Clear by Connie Willis: apparently all of my book titles this week start with the letter “A”. Weird.

Reading Journal: 5.17.26

The weather has been hit and miss in the PNW for the last week, but I’ve been able to get outside and do some weed eradication with my trusty string trimmer. Our very mild winter made the weeds go absolutely bonkers.

I finished 5 books this week.

Murder in Married Life by Anne Morice: this is book 2 in the Tessa Crichton series, published in 1971. Dean Street Press has reprinted 23 entries in the series, through Fatal Charm, published in 1989. I’ve enjoyed both of the installments that I’ve read, and plan to – eventually – buy and read them all. Tessa, a moderately successful actress, meets the man who becomes her husband, Robin, in the first book. In this one, they are newly married.

Robin is a detective for Scotland Yard, and Tessa has a tendency to become embroiled in mysteries, so they are quite a match. This book reminds me a bit of the Mr. and Mrs. North mysteries because Tessa, like Pam North, is a firecracker. The next mystery in the series is called Death of a Gay Dog, and I will get to it. Sooner or later.

Hmmm, interesting. I guess my unwitting theme for this week was “newly married in London,” because that is the entire plot of Greenery Street. Ian and Felicity Foster are newly engaged at the beginning of the book, and are looking for a house in which to commence their married life. Greenery Street itself turns out to be a bit of a character in the book, with Mackail giving it a voice of its own at times, as the place where newly married London couples begin their marriages, only to be forced to move out once the babies start coming.

There is a naivete here that is really charming – Ian and Felicity seem quite a lot like children playing house because in many ways, they are children playing house. Ian has a job, and Felicity manages their finances, but neither of them are remotely jaded, world weary or cynical. They love each other, they love being married, and they are absolutely loyal to each other. They are innocent without being stupid, fun-loving without being reckless, and sweet without being saccharine. This one reminded me a lot of A Fortnight in September, a book about the smallest of things, but utterly riveting nonetheless.

I have been reading the Inspector Henry Tibbet’s series for many years now. I remember picking up the first one, Dead Men Don’t Ski, at the UBS at least two decades ago. I really liked it, and started picking up PB copies when I would find them. I have been vaguely trying to read in order, although at the end of the day, order doesn’t really matter here. Henry, and his wife Emmy (who plays a pretty substantial role in the books) don’t really seem to age. This is the 8th book in the series. Luckily, at this point, Amazon has entries 7 (except for book 9, weirdly) through 17 in the KU library, so I’m going to try to get them read before they disappear. Next up is Who Saw Her Die, which isn’t available through KU, but my library had a digital copy available so I grabbed it.

The plots are always clever, and they usually involve Henry and Emmy getting out of London, where they live, and going to different places. This one was no different – the first chunk of the book was set in London, where Henry is investigating a pretty garden variety murder of a low-grade con artist in the bathroom of a bar called the Pink Parrot. Eventually, though, that investigation merges with some international intrigue concerning a couple of fake African countries, and Henry and Emmy end up in Holland, where there is danger and they meet some murderous foes.

Along with some readerly friends, I am doing a read and reread of Lucy Maud Montgomery’s works for the next couple of years, and we started with the Anne Shirley books in January. We are meant to be doing one a month, but I got behind, so although May is the 5th month, Anne of Windy Poplars is the 4th book in the series, sitting between Anne of the Island and Anne’s House of Dreams. It was written well after those two books – Anne of the Island was published in 1915 and Anne’s House of Dreams was published in 1917, while Anne of Windy Poplars wasn’t published until 1936.

The first time I read Windy Poplars, I was decidedly unimpressed. It’s still not my favorite – I think that Anne of the Island will always hold that honor in my heart. But in subsequent rereads, it has definitely grown on me. I enjoy Rebecca Dew and the Aunts, the Pringles crack me up, I wish that we could have had a book about Katherine Brooke and her life as secretary to a MP, and the Little Fellow makes me cry every damn time. Next up is Anne’s House of Dreams, which covers Anne and Gilbert as young marrieds. I’m hoping to finish that one next week, so I’ll be caught up with my fellow readers.

My last book this week was the third in Elizabeth Moon’s Vatta’s War series, Engaging the Enemy. I’ve previously read Trading in Danger and Marque and Reprisal and I’m really enjoying the series. There are two more in this cycle, and then two books in a different cycle, Vatta’s Peace, that were published much later.

These are really space opera, which is a genre that I don’t read a lot, but get into the mood for from time to time. There is something about it that I really enjoy, when it hits just right. This is a satisfying series and has all of the elements of good space opera: lots of space ship action, different planetary cultures, a tight knit crew, and much suspense and intrigue.

I had never read anything by Elizabeth Moon, and I’m impressed, actually. Her fantasy series that begisn with The Sheep Farmer’s Daughter, The Deed of Paksenarrion, has been on my radar for a while, so once I finish with Kylara Vatta, I’ll probably check that one out. Vatta’s War was published between 2003 and 2008, and the first book in the Paksenarrion series was published in 1988.

In fact, in addition to my “newly married in London” theme from early in the week, all of my books this week, strangely (I just noticed this when I was adding categories) were written by authors whose last name started with the letter M (I swear that this was a coincidence, albeit a really weird one), and all of them were backlist titles. The newest of them, Engaging the Enemy, was published the early 2000’s. One good thing about reading old books – absolute certainty that AI had no part in their creation. I prefer my art human powered, thank you very much. Not to put too fine a point on it, but fuck the tech bros.

Also, in spite of my use of the em-dash, I never use AI to write my posts. I have loved the em-dash since before Chat GPT was a gleam in it’s evil overlord’s eye, and I refuse to give it up.

Currently reading:

  • American Prometheus: the Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird – still. This one will sit on this list for a while, because it is 721 pages. I’m at 25%.
  • Information Received by E.R. Punshon – the first Bobby Owen mystery published in 1933;
  • Green Rider by Kristen Brittain – reread.

Jane of Lantern Hill by Lucy Maud Montgomery

Jane of Lantern HillJane of Lantern Hill
by L.M. Montgomery
Publication Date: June 5, 1937
Genre: classic, YA
Pages: 288

Jane and her mother live in a gloomy old mansion, where their lives are ruled by her ovebearing grandmother. For most of her life Jane has believed that her father is dead. Then, one dull April morning, a letter comes. Not only is her father alive and well, but he wants Jane to spend the summer with him on Prince Edward Island.

For a blissful summer she lives at her father's cottage on Lantern Hill, making friends, having adventures and discovering that life can be wonderful after all. And she dares to dream that there could be such a house where she, Mother and Father could live together without Grandmother's disapproval - a house that could be called home.


I actually read this one during the October read-a-thon and never got around to writing up a post. I’ve read a lot of L.M. Montgomery: the entire Anne Shirley series (more than once) and the Emily Starr series (time for a reread, I think). I picked up Jane of Lantern Hill, at least in part, because of the cover. I like pretty things. It is just as pretty in person as it is on a computer screen, by the way. And, as a total aside, I am so impressed with the Virago Classics because they are clean and well-edited. No one grabbed an old public domain version and OCR’d it and then slapped a cover on it and hit publish.

Back to Jane.

I loved this book. Jane reminds me a lot of Little Elizabeth, from Anne of Windy Poplars, but all grown up. She is living in Toronto, with her rather weak-spirited, beaten down mother, and her deeply angry grandmother, who still hasn’t gotten over the fact that her daughter went off and abandoned her to, (ungrateful child), get married and have a daughter of her own. L.M. Montgomery’s method of dealing with the problem of separating father and mother is fairly convenient, and is quite similar to how she separated Miss Lavender and Paul’s father in the Anne series. They get into a fight, and instead of acting like reasonable adults, mother takes baby and flees home, where grandmother spends more than a decade interfering in reconciliation. This is all set up to explain Jane’s sterile and unloved life in Toronto. Grandmother is wealthy, so she wants for nothing material or physical, but spiritually and emotionally, she is completely bereft. And Montgomery makes a convincing case that true happiness is dependent much more on wealth of spirit and love than it is on having nice stuff.

The book really comes into its own when Jane goes off to spend a summer with her father in Lantern Hill. Her adventures are charming. Her father is a writer, and cannot provide Jane with the material comforts of home, but with him, she receives much greater gifts: freedom, self-sufficiency, love and true friendship. She does not have the imagination of the bewitching Anne Shirley, or the literary talent and ambition of Emily Starr, but she has a homelike sweetness that is endearing.

I don’t believe that Montgomery ever wrote a sequel to Jane of Lantern Hill, which is unfortunate, because it would have been worth reading!