
by Gladys Mitchell
Series: Mrs. Bradley #4
Publication Date: December 27, 1932
Genre: mystery
Pages: 288
Project: a century of women
Noel Wells, curate in the sleepy village of Saltmarsh, likes to spend his time dancing in the study with the vicar's niece, until one day the vicar's unpleasant wife discovers her unmarried housemaid is pregnant and trouble begins.
It is left to Noel to call for the help of sometime-detective and full-time psychoanalyst Mrs Bradley, who sets out on an unnervingly unorthodox investigation into the mysterious pregnancy, an investigation that also takes in a smuggler, the village lunatic, a missing corpse, a public pillory, an exhumation and, of course, a murderer.
Mrs. Bradley is easily one of the most memorable personalities in crime fiction and in this classic whodunit she proves that some English villages can be murderously peaceful.
This was my first foray into the long-running Mrs. Bradley series by Gladys Mitchell. Ms. Mitchell was born in 1901, and published her first Mrs. Bradley mystery, A Speedy Death, in 1929. She was a prolific author, publishing 66 of the Mrs. Bradley mysteries. She was also a teacher in girls schools for many years (now I’m thinking Miss Bulstrode, from The Cat Among the Pigeons), and was an early member of the Detection Club along with Agatha Christie and Dorothy Sayers. She was more prolific than both.
The Saltmarsh Murders is book #4 in the series. I’ve never seen the Diana Riggs BBC adaptation, from 1998-2000, and this series didn’t really make it onto my radar screen until a friend referenced it in a blog post. After seeing the reference, I jumped over to Amazon to find out more and noted that all of the Mrs. Bradley books are available in the Kindle Unlimited Library. I’ve not yet cancelled my KU subscription, so I decided to check out one of them and see what I thought. This was literally a stab in the dark. I liked the title – it sound appropriately atmospheric – so I downloaded it and started reading.
Mrs. Bradley’s full name is Beatrice Adela Lestrange Bradley, which is just too good for me to overlook. The book is partially narrated by a young curate, and I was getting some (erroneous) Murder of Roger Ackroyd vibes from his narration. It’s a quirky tale, and I was frankly surprised, and not really convinced, by who-actually-dun-it. Mrs. Bradley herself was eccentric, and somewhat peculiar, not to mention physically hideous (she is variously described as crocodilian and reptilian, her hands clawlike). But it was fun to read, and I want to read more so I can get a better handle on the series.
According to Wikipedia, critical opinion is divided on what is her best work, her strengths and style can be gleaned from the following 16 books: The Saltmarsh Murders (1932), Death at the Opera (1934), The Devil at Saxon Wall (1935), Come Away, Death (1937), Brazen Tongue (1940), When Last I Died (1941), The Rising of the Moon (1945), Death and the Maiden (1947), The Dancing Druids (1948), Tom Brown’s Body (1949), Groaning Spinney (1950), The Echoing Strangers (1952), Merlin’s Furlong (1953), Dance to Your Daddy (1969), Nest of Vipers (1979), and The Greenstone Griffins (1983). This provides a helpful entree into the series.
There is a Gladys Mitchell tribute site, which can be found here, and which provides additional resources.