This is an old review from 2014. I am closing down a blog, and republishing book reviews prior to deleting the old one.
Publication Date: December 1, 1847
Project: classics club round 1
Drawing heavily from personal experience, Anne Brontë wrote Agnes Grey in an effort to represent the many 19th Century women who worked as governesses and suffered daily abuse as a result of their position.
Having lost the family savings on risky investments, Richard Grey removes himself from family life and suffers a bout of depression. Feeling helpless and frustrated, his youngest daughter, Agnes, applies for a job as a governess to the children of a wealthy, upper-class, English family.
Ecstatic at the thought that she has finally gained control and freedom over her own life, Agnes arrives at the Bloomfield mansion armed with confidence and purpose. The cruelty with which the family treat her however, slowly but surely strips the heroine of all dignity and belief in humanity.
A tale of female bravery in the face of isolation and subjugation, Agnes Grey is a masterpiece claimed by Irish writer, George Moore, to be possessed of all the qualities and style of a Jane Austen title. Its simple prosaic style propels the narrative forward in a gentle yet rhythmic manner which continuously leaves the listener wanting to know more.
Anne Brontë, the somewhat lesser known sister, was in fact the first to finish and publish Agnes Grey under the pseudonym of Acton Bell. Charlotte and Emily followed shortly after with Jane Eyre and Wuthering Heights.
As Anne passed away from what is now known to be pulmonary tuberculosis at the age of just 29, she only published one further title; The Tenant of Wildfell Hall. As feminist in nature as Agnes Grey, Anne's brave voice resonates and permeates during one of the most prejudiced and patriarchal times of English history.
Agnes Grey was published in 1847. This was an exceptionally good year for the Bronte sisters – 1847 saw the publication of Agnes Grey, Wuthering Heights and Jane Eyre, which combined to form a trifecta of Bronte awesomeness, and includes the two most well-known books by the Brontes.
Anne Bronte was the youngest Bronte, and remains the least well-known of the three sisters. She died very young, at 29 years of age. Her only other published work is The Tenant of Wildfell Hall, which was out of publication for many years at the behest (as I understand it) of the eldest and most prolific sister, Charlotte. Agnes Grey was published under the pseudonym Acton Bell.
Agnes Grey is a bildungsroman, or a coming of age story, in this case, of the titular character, Agnes. The book begins with Agnes and her sister living at home with her parson father and their mother. Father unwisely invests money with a merchant who ends up dying, and the family loses all their savings. Agnes, in a bid for independence, decides to go to work as a governess. She ultimately obtains a position as a governess for a wealthy family, and leaves the family homes and goes out in the world.
I really liked this book. I was not a fan of Wuthering Heights when I read it many years ago, although I did love Jane Eyre. Agnes Grey is, in my mind, less sophisticated than Jane Eyre, but has many of the same themes. Anne Bronte used the book as a vehicle to explore oppression of women, animal cruelty, love, marriage and religion.
I have been listening to one of the Great Courses on the Victorian era as well as reading books that were written in and during the Victorian era. There are two lectures, so far, that dealt directly with women – one about upper class women and one about working class women. The circumstances for working class girls/women were fairly dire, actually, and Agnes Grey does a good job of illustrating that direness. Agnes finds herself working for a family that is clearly inferior to her in most domains – she has more common sense, more integrity, she is better educated, she has a greater work ethic, she is more useful. The only area that they exceed her is in that of wealth. They are rich, she is poor.
Each of the families, nonetheless, considers themselves and is considered by society, to be her superior. The Bloomfield family – the first family where she is a governess – has raised their eldest son to be an overtly cruel human being. He is abusive – both verbally and at times physically – to Agnes, and he casually tortures small animals. His education is a total loss because no one exerts even the slightest degree of control over him to force him to learn, and being the eldest son of a wealthy family, there is no incentive for him to be anything other than what he desires to be. Agnes is dismissed when she fails to educate him.
The second family, the Murray family, is less casually abusive but concomitantly more frivolous. Agnes is governess to their two youngest daughters. The eldest, Rosalie, is a pretty ornament who thinks only of flirtations and marriage. Matilda, the youngest, is a foul-mouthed tomboy who is also a liar (I confess a bit of partiality to poor Matilda. She’s so screwed in that era). The appearance is the reality for this family, and nothing matters but what is on the surface.
Agnes Grey is based on Anne Bronte’s experience as a governess. One of the things that I found interesting was how little actual learning was going on in the schoolroom. I am sure that not every Victorian wealthy family was the same, but Agnes was given no authority at all, and was therefore ignored at best and abused at worst. I cannot think of few worse jobs than being charged with the education of spoiled, entitled, in some cases quite possibly sociopathic, children who have total power over your life. It’s a nightmarish prospect.
It is easy to wax nostalgic for the past, and for eras like the Victorian era. Reading a book like Agnes Grey is a useful exercise to remind us that we should not idealize the past.