This is a migrated review from 2017. I am closing down a blog, and republishing book reviews that fit this blog theme prior to deleting the old one.
Publication Date: May 6, 1970
Genre: gothic romance, suspense
Will she find love at sea, or is she getting herself into deep water?
Anna Brett is a governess to a wealthy English family, a role she's convinced she'll be doomed to live the rest of her life. But when she meets Redvers Stretton, the dashing captain of a ship named The Secret Woman, and she's whisked from the bleak British coast to the sunny South Seas, she quickly realizes that things will never be the same. But with a murder dogging her steps and the mystery of a missing treasure haunting her dreams, Anna is forced to confront the clever captain-a man who may have just as many secrets as his ship.
First published in 1970, The Secret Woman was written by the prolific Eleanor Hibbert under her Victoria Holt pen name. While this book was published in “Holt’s” early period, it was actually published in the middle period for Hibbert. There were a total of 32 books published under the “Holt” name, and of those 32, approximately 23 of them were published after The Secret Woman.
Victoria Holt tends to be very hit and miss. This one is a miss.
I think that, perhaps, Holt was going for an homage to Jane Eyre with this one, with Redvers as the Rochester character, the conveniently orphaned Anna as Jane, and Redver’s wife, Monique, as the ill-fated Bertha. Like Bertha, the mildly mentally ill, consumptive Monique comes from an apparently fictional island named Coralle. Bertha, of course, is from Jamaica, and is the daughter of a wealthy family.
The issues with this book start with the pacing. The plot summary is misleading in that most of the elements referenced in the summary do not appear until the 50% mark of the book. The first 50% of the book felt relatively superfluous, focusing on Anna’s childhood and young adulthood, being first sent to England without her parents, later being orphaned, and then being raised by her unpleasant, unloving, bitter Aunt Charlotte. This, again, may be an ill-advised attempt to copy Jane Eyre. Few writers have the skill to write a Jane Eyre character, and Holt fails completely.
The “meet cute” between our hero and heroine also fails. Redvers and Anna meet when she is 12 and he is 19. I can understand her romanticizing him, since he is a dashing young man. I cannot understand, and am entirely grossed out, by his apparent romanticizing of her. She was twelve. There is nothing at twelve to attract a young man of nineteen.
It isn’t until around the 55% mark that Red & Anna end up in one another’s company consistently. From there, the book devolves into a shipboard travelogue. Way too much of the narration is delivered through the diary of the third-wheel Chantel, which ground the story to a halt. The suspense/gothic elements don’t appear until around 75%, and by that time, I am done. That section could’ve actually been pretty interesting, if it had been expanded to be more of the book, and if Holt hadn’t decided that the best way to deliver the reveal was through a letter.
Note to authors: telling us why and how something happened through a letter written by the perpetrator is generally not an emotionally resonant method of storytelling. Again, the tension, the suspense, the drama grinds to a freaking halt while I read a three page letter written by the villain/ess (no spoilers here) as he/she is in his/her death throes.
As an Eyre retelling: fail. As a gothic/romantic suspense: fail. As a period drama: fail. If you aren’t a Holt completist, don’t bother with this one. First you’ll be bored, then you’ll be irritated.